illustration friday - carry

One for my children's book illustration portfolio, which I've been working on this week. I've been out drawing in the play area near home, so I had plenty of sketchbook material to turn into something fun. 

Clearly, drawing some dogs while I was at it would be helpful too, eeeek. Does anyone else find it tricky to integrate animals in the same style as people? 

Guess it's really a question of more practice, like all drawing wobbles.

out of the woods in photoshop

This was coursework - I've just finished seven weeks of a Photoshop course at City Lit.  My first ever image done entirely digitally, though incorporating scanned paper bits and pieces and hand drawn outlines for the shapes. 

It's a pretty big thrill to feel confident using the software at last. As opposed to stumbling around the layers palette, stuck, or taking endless time on getting at things that I now know might take a simple click of the magic wand tool.

The course was geared towards designers and illustrators, so not too much of that retouching malarkey. OK in its place, but not so much for my kind of work.

I'm looking forward to finding natural, playful ways of introducing Photoshop into illustrations, particularly the collage images I sometimes do.

Let me know what you think in the comments below.

more wildflowers

The poppies and nigella in the top watercolour are perhaps not really so much wildflowers, not here in Hackney, at least not without the help of a pack of wildflower meadow mix.

I did the painting outside, on Midsummer's Day at the wonderful St Mary's Secret Garden in Haggerston. 

It's a community gardening project that is my midweek break from studio life. The new ecominds garden there is full of lovely flowers at the moment, so much so that its hard to stick to just wild flowers, but a narrowed focus is probably no bad thing for productivity and concentration. 

Do you have a favourite Summer flower?

midsummer wildflowers

I picked these in Hackney Marsh on Monday, almost in the shadow of the barrier around the Olympics/Radio 1 concert venue which is all fenced up and ready for weekend. Urban pastoral perhaps, but I love the wildness of the marshes, so close to where we live in Hackney, East London. Long may they stay that way. I had to paint quickly - these guys wilt, or the petals drop off, in no time at all. Happy midsummer!

Some afternoons...

 

 ...the sun shines for a bit, I have time, the itunes random works just right and some magic happens. One hour becomes two, colours and textures lead one to the next to the next. From my World Famous Razor Clam Collection. More stripey themed warm ups and other bits on flickr.

Illustration Friday - faded

 

Not sure about this one, it was pretty last minute and late night, but it was fun to make it happen anyway. Lovely to look through a pile of old World of Interiors magazines for references.

Illustration Friday - sight

I had in mind a line from The Famished Road by Ben Okri, which has lived in my notebook for years. In this image, the line has a completely new context.

Constellations were visible in the sky, each star a different colour, luminous and pulsing.

The waves are inspired by an illustration by Dorry Spikes, one of my favourite illustrators.

 

new card design

My sis asked me to paint a card for a friend, who is a lover of, amongst many other wonderful things, flowers and fynbos, the indigenous vegetation of the Western Cape, in South Africa.

2012 Serco Prize submission

Entry for the London Transport Museum's annual illustration competition, run in collaboration with the AOI. The 2012 theme was 'Secret London'. I had a lot of fun thinking about the unexpected surprises you very often come across wandering the neighbourhood streets, far away from the main tourist attractions. This way of working, I'm finding, is a great way to be expressive and graphic. Painted acrylic collage paper on watercolour paper.

10 days away

 

Away for a while, to do a ten day Vipassana sit, ten days enjoying the gift of silence and mindfulness in the peaceful surrounds of Dhamma Dipa in Herefordshire. The daffodils and narcissus will be well and truly over when I'm back in early May, I'm sure the world will be full of other beautiful things to paint anyway. Be happy, as they say on the meditation courses, be happy!

birch catkins

watercolour and dipping pen

happy easter

 

It's been a lovely, quiet Easter with plenty of time to tinker around the house, as my friend Barbs would say. 

This was a warm up painting to get back into watercolour drawing mode after such a long break. Bit ambitious really, the white flower and the sunlight through the petals and then also the shards of glass that I found back in CT on a tiny beach. Which look more like petals at this stage.

I was tempted by the frilly yellow centre of the daffodil, and the poppy motif on the cup (a wedding gift from the lovely ladies at St Mary's Secret Garden)and didn't give the medium much thought. That's the point of a warm up though right?

snatches of the karoo, south africa

These were made on the road back from the Kalahari in South Africa, done in the car on the long, beautiful road between Brandvlei and Calvinia on the R27. I've always wondered how it would be to paint those huge landscapes, at least now I have made a start. Such a great way to really see, to notice more of the changing colours and forms and textures of the countryside. The textures out there are something special - the small, dry karoo bushes, the ironstone koppies, the smoothness of mountain ranges far, far in the distance and the fenceposts marching forever towards the horizon. I'm a fan.

away for a while

Here's the front of the card I designed for our wedding invitation. 

The pomegranates were inspired by the garden outside our cottage in Ibiza where we got engaged last autumn. I ate ripe figs and pomegranates every day - how could I not when they were hanging on the trees in the garden all around us? 

Heaven. 

I'm off to Cape Town today, to get married in a few weeks. Back mid March, five whole weeks of sun and celebration.

colour study

Sometimes I start a small warm up painting without knowing where I'm going, just colour, line and sometimes a pattern if something emerges. This small study on lovely thick paper has been knocking around the studio for a bit, and I've grown to love aspects of it. I hope something similar shows up in my more formal, structured illustration work sometime.